CHANTELLE LANDAYAN
DANCER, CHOREOGRAPHER,
MOVEMENT DIRECTOR
SYDNEY, AUSTRALIA
CHANTELLE LANDAYAN
DANCER,CHOREOGRAPHER,MOVEMENT DIRECTOR
SYDNEY, AUSTRALIA
ABOUT ME
ABOUT ME
ABOUT ME
Hi! My name is Chantelle Landayan, I’m a Sydney-based dancer, choreographer, and movement director with a deep passion for storytelling through movement. Celebrated for my versatility, creative direction and mentorship. I work across commercial, performance, and education spaces— With over a decade of experience, I bring depth and intention to every class and creative collaboration.
Whether I’m training the next generation of dancers, directing movement behind the scenes, or performing on stage, I facilitate environments where technique is the foundation, individuality is encouraged, and expression is the heart of the process. My work spans major campaigns, live performances, music videos, and international training in heels, contemporary, and commercial dance.
Hi! I’m Chantelle Landayan
I’m a Sydney-based dancer, choreographer, and movement director with a deep passion for storytelling through movement. Celebrated for my versatility, creative direction and mentorship. I work across commercial, performance, and education spaces— With over a decade of experience, I bring depth and intention to every class and creative collaboration.
Whether I’m training the next generation of dancers, directing movement behind the scenes, or performing on stage, I facilitate environments where technique is the foundation, individuality is encouraged, and expression is the heart of the process. My work spans major campaigns, live performances, music videos, and international training in heels, contemporary, and commercial dance.
Trained in Sydney, the US, and UK, Chantelle has collaborated with artists such as Ngaiire, Haiku Hands, Montaigne, and Meghan Trainor, with commercial work featured in campaigns for Eurovision, Reebok, and Lost Paradise. As a movement director, her recent projects include MECCA MAX’s Mardi Gras campaign, Jessica Mauboy’s “Right Here Right Now,” and the Paspaley Pearls Wild Campaign.
Recognised as one of Sydney’s leading heels educators, Chantelle has received exclusive training from world-renowned choreographers Dana Foglia and Aisha Francis. With over a decade of teaching experience, she creates empowering spaces for dancers to step into their power. Her classes are grounded in strong technical foundations, while also championing purpose, presence, and individuality. It’s a practice of both discipline and liberation, where dancers are encouraged to show up fully and take up space unapologetically.
chantelle_landayan@hotmail.com
+61 403 980 630
chantelle_landayan@hotmail.com
+61 403 980 630
GET IN TOUCH
FEATURED WORKS
I acknowledge the Traditional Custodians of the land on which I create, teach, and share stories through movement, and pay my respects to Elders past, present, and emerging
I acknowledge the Traditional Custodians of the land on which I create, teach, and share stories through movement, and pay my respects to Elders past, present, and emerging
Trained in Sydney, the US, and UK, Chantelle has collaborated with artists such as Ngaiire, Haiku Hands, Montaigne, and Meghan Trainor, with commercial work featured in campaigns for Eurovision, Reebok, and Lost Paradise. As a movement director, her recent projects include MECCA MAX’s Mardi Gras campaign, Jessica Mauboy’s “Right Here Right Now,” and the Paspaley Pearls Wild Campaign.
Recognised as one of Sydney’s leading heels educators, Chantelle has received exclusive training from world-renowned choreographers Dana Foglia and Aisha Francis. With over a decade of teaching experience, she creates empowering spaces for dancers to step into their power. Her classes are grounded in strong technical foundations while also championing purpose, presence, and individuality. It’s a practice of both discipline and liberation, where dancers are encouraged to show up fully and take up space unapologetically.
GET IN TOUCH
chantelle_landayan@hotmail.com
+61 403 980 630
FEATURED WORKS
I acknowledge the Traditional Custodians of the land on which I create, teach,
and share stories through movement, and pay my respects to Elders past, present, and emerging
I acknowledge the Traditional Custodians of the land on which I create, teach, and share stories through movement, and pay my respects to Elders past, present, and emerging
I acknowledge the Traditional Custodians of the land on which I create, teach, and share stories through movement, and pay my respects to Elders past, present, and emerging